Sunflower (pharaoh), 2017 | Industrial leathe, Sunflower, 60×60×20cm

At the center of the exhibition space there is an altar composed of a sunflower nestled into an industrial lathe. Titled Sunflower (Pharaoh), the artwork refers to a category of people capable of shifting between these three worlds, thus reconnecting political and spiritual power and ushering in an empathetic political phase in which human beings come before economic interests.

This piece serves as a powerful metaphor for transformation and unity. The juxtaposition of a natural element—the sunflower—with an industrial machine—the lathe—symbolizes the reconciliation of nature and technology, spirituality and industry. The sunflower, often associated with light, growth, and vitality, represents spiritual enlightenment and natural beauty. In contrast, the industrial lathe signifies human ingenuity, labor, and technological advancement.

By integrating these disparate elements into a single altar, Sunflower (Pharaoh) suggests that true leadership requires balancing these forces. It calls for leaders who can navigate between different realms—spirituality, politics, and economics—to create a more harmonious society. This artwork envisions a new kind of leader: one who embodies wisdom and empathy rather than mere authority.

The altar's central placement within the space underscores its significance as both a focal point and a sacred site. It invites viewers to contemplate their own roles in bridging divides within their lives and communities. The work challenges us to rethink our priorities by placing human well-being above material gain.

In essence, Sunflower (Pharaoh) is not just a comment but also a call to action. It urges us to envision a future where political decisions are guided by compassion rather than greed—a world where leaders are attuned to both earthly needs and higher ideals. By doing so, it offers hope for an empathetic political era that honors our shared humanity while embracing progress.